You have to be always drunk. That’s all there is to it—it’s the only way. So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk.

But on what? Wine, poetry or virtue, as you wish. But be drunk.

And if sometimes, on the steps of a palace or the green grass of a ditch, in the mournful solitude of your room, you wake again, drunkenness already diminishing or gone, ask the wind, the wave, the star, the bird, the clock, everything that is flying, everything that is groaning, everything that is rolling, everything that is singing, everything that is speaking…ask what time it is and wind, wave, star, bird, clock will answer you: “It is time to be drunk! So as not to be the martyred slaves of time, be drunk, be continually drunk! On wine, on poetry or on virtue as you wish.”

Charles Baudelaire  (Be Drunk)


20 different types of rain, from drizzle to downpour, are captured in a series of bottles for an installation by design studio Nendo (via).

Created for the 2014 Fall edition of Maison & Objet in Paris, who asked designers to consider the relationship between language and design, the word rain was chosen for its many nuances in Japanese, a language that has dozens of words for rain depending on the condition and time of day.

The exhibit consists of 20 clear acrylic bottles lined-up, each containing a different kind of ‘rain’. ‘Kirisame’, ‘biu' and 'kosame' refer to different degrees of fine drizzle, while 'niwaka-ame' is a sudden downpour. 'Mizore' is sleet, and a 'yudachi' falls in the evening. 'Kisame' is rain that drips from the ends of tree branches, and 'kaiu' is rain that falls mixed with dust and pollen. Seasonal rains were also included, from the 'samidare' that falls in the spring, to 'shigure’, rain specific to autumn and winter.

When I’ve been thinking about why clothing is weirdly so revealing, I think about being in my 20s, when I used to go to a lot of nude hot springs in Northern California. You would hang out with all these people in these hot springs all day long. You’d meet people naked, and you’d talk to them all day. It was strangely very comfortable; there was nothing awkward about it. What was awkward was to see people in their clothes after you’d been with them naked. Somehow, these people were revealing so much more about themselves by having clothes on. Suddenly you start to categorize them. You’re learning more about their identities, or at least how they want to present themselves to the world, and that tells you so much more about people than just their naked bodies.
I spoke with Heidi Julavits about her new project, “Women in Clothes,” with Leanne Shapton and Sheila Heti. (via lucymadison)